Just back from seeing HellBoy with the Anonymous Economist’s posse. It was the perfect reverse of my experience with Riddick. That one was supposed to be expensive rubbish; this one was a Hollywood blockbuster that the critics had given us permission to like. They were wrong again. It was so empty and lazy that I can’t even be bothered to review it. Just don’t be tempted to give the bastards responsible any of your cash.
-
Recent Comments
-
Blogs
- a blog from the back room
- A Congregation Of Vapours
- Adloyada
- Antonia Bance
- Apropos Of Nothing
- Baggage Reclaim
- Bioinformatics.Org
- Black Triangle
- Bloggers4Labour
- Blognor Regis
- British Bullshit Foundation
- Butterflies and Wheels
- Chase Me Ladies
- Chocolate and Vodka
- Chris Brooke
- Clive Davis
- Common Endeavour
- Conor’s Commentary
- Conservative Home
- Covered, the band
- Daily Ablution, The
- David Thompson
- Drink-Soaked Trots For War
- Edward Meinert
- Euston Manifesto Blog
- Fisking Central
- Freemania
- Gauche
- Ghost of a flea
- Grammar Puss
- Hak Mao
- Harry’s Place
- Hopi Sen
- Index on Censorship
- Jackie Danicki
- James Hamilton
- James Higham
- Jo Salmon
- Jonathan Derbyshire
- Kerron Cross
- Labour Friends of Iraq
- Let’s Be Sensible
- Mars Hill
- Martin In The Margins
- Maximum Bob
- Mick Hartley
- Muscular Liberals
- Never Trust A Hippy
- normblog
- Oliver Kamm
- Olly’s Onions
- Plural Identities
- Political Betting
- Polling Report
- qwghlm.co.uk
- Rob Newman
- Sadie’s Tavern
- Sepial
- Shuggy’s Blog
- Skuds
- Slashdot
- Squander Two Blog
- Stephen Pollard
- Stumbling and Mumbling
- The Agnostic Monk Files
- The Floodlit Allotment
- The Periodic Table
- The Stopping Service
- The Wedding Photography Blog
- Tim Almond
- Tim Worstall
- We’ll get it right next time
- White Sun of the Desert
- wongaBlog
-
Friends
- Adam Woolfe
- Adloyada
- Andrew Anthony
- Apropos Of Nothing
- Bloggers4Labour
- casualsavant
- Chris Brooke
- Claire Berlinski
- Clive Davis
- Common Endeavour
- Covered, the band
- Edward Meinert
- First Drafts
- George Szirtes
- Helena Seth-Smith
- Index on Censorship
- Jonathan Derbyshire
- Linda Grant
- Never Trust A Hippy
- normblog
- Plural Identities
- The Floodlit Allotment
- The Periodic Table
- The Stopping Service
- Transmission Studios
-
Meta
-
Pages
-
Archives
- May 2011
- April 2011
- March 2011
- February 2011
- November 2010
- October 2010
- August 2010
- July 2010
- May 2010
- April 2010
- March 2010
- February 2010
- December 2009
- November 2009
- October 2009
- July 2009
- June 2009
- May 2009
- April 2009
- March 2009
- February 2009
- January 2009
- December 2008
- November 2008
- October 2008
- September 2008
- August 2008
- July 2008
- June 2008
- May 2008
- April 2008
- March 2008
- February 2008
- January 2008
- December 2007
- September 2007
- August 2007
- July 2007
- June 2007
- May 2007
- April 2007
- March 2007
- February 2007
- January 2007
- December 2006
- November 2006
- October 2006
- September 2006
- August 2006
- July 2006
- June 2006
- May 2006
- April 2006
- March 2006
- February 2006
- January 2006
- December 2005
- November 2005
- October 2005
- September 2005
- August 2005
- July 2005
- June 2005
- May 2005
- April 2005
- March 2005
- February 2005
- January 2005
- December 2004
- November 2004
- October 2004
- September 2004
- August 2004
- July 2004
- June 2004
- May 2004
- April 2004
- March 2004
- February 2004
- January 2004
- December 2003
- November 2003
- October 2003
- September 2003
- August 2003
- July 2003
- June 2003
- May 2003
- April 2003
- March 2003
- May 2002
- April 2002
11 Comments
Could you post a list of when you are going to see films? If I had read this last week I would have saved myself £3.75. I even fell asleep at one point.
It should win a prize for the most ridiculous use of Nazis on celluloid.
Argh! I should’ve warned you to save your money, D. Total waste of time. I wouldn’t even pay for the pirated version.
I haven’t seen either of them, but the critical reaction is easily explained just by looking at the credits: Hellboy was directed by a recognised auteur (and one who alternates between big-budget blockbusters and small, intimate pieces like Cronos and The Devil’s Backbone, making him even more of a critical darling), while The Chronicles of Riddick wasn’t.
The utter absurdity of this approach is that it assumes the director of a $100 million blockbuster actually has much creative clout beyond physically making the thing and sticking to schedule - with very few exceptions (Tim Burton springs to mind, and he’s been badly off the boil of late), these are not vehicles for personal expression or statements of any kind of artistic credo.
I’ll add that the “Hellboy” movie is also an insult to the comic. Not that I enjoyed the comic book much, but I just wince at what this guy could do to John Constantine or Lobo.
“Daredevil” on the other hand, was a fun ride just as the comic book is… unfortunately, I think it was a casualty of the anti-Ben Affleck sentiment. It wasn’t a great movie, but I didn’t resent every minute I was in the cinema either.
“the critical reaction is easily explained just by looking at the credits”
As we sat in the cinema at the end of the film, dazed with disappointment, and the director’s name appeared, that’s exactly what I thought.
Remember when everyone agreed that Pitch Black was crap? Now it’s an “under-rated low-budget horror classic”. You can bet in ten years that history will have been rewritten and the critical consensus on Riddick and HellBoy will have flipped perfectly—“We have always been at war with HellBoy…”
“‘Daredevil’ on the other hand, was a fun ride just as the comic book is… unfortunately, I think it was a casualty of the anti-Ben Affleck sentiment. It wasn’t a great movie, but I didn’t resent every minute I was in the cinema either.”
Couldn’t agree more. I watched Daredevil over the Atlantic and it was a blast. One day, I hope, someone will do justics to The Dark Knight Returns.
Or Wonder Woman….
I thought you should know that according to my Daily Mail (dread words!) there is a film on tonight called “Below” by the same director who directed that ‘Riddick’ film you’re all wittering on about.
Also, given our host’s prediliction for ‘pulp fiction’, I note that Charles Cumming has just published his second book. His first featured a smart, morally ambiguous, metro 20/30 something who becomes entangled with MI6, called “A Spy by Nature”. Deeply cynical and hugely enjoyable, and with the sort of ‘hero’ that I suspect many contributors to this page will identify with. Highly recommended, but then again, I am a Daily Mail man!
I just wince at what this guy could do to John Constantine
Too late.
Well, not “this guy” per se but you get the idea.
AUGH!!! How can they put Keanu Reeves as Constantine?! He thinks that looking constipated approaches an expression of angst. Jeet, ignorance was bliss, but now you’ve shattered that, haven’t you?
Hello, Jeet. I’ve noticed your ‘Blog on the roll at Norm’s place and hadn’t gone any further than thinking, “Cool name”. I had a read this morning and I enjoyed it.